LUXOGRAPHIE

Photo

Tue, 09 Apr 2013 12:25:54 -0600

vivantvie: One of the final photos from my collaboration with...

Tue, 09 Apr 2013 12:19:28 -0600

One of the final photos from my collaboration with #forte_forte. #sarahleephoto #forteforte #underwater #underwaterfashion

comatose-joyy: screworiginality: The Three Of Us - Streetlight...

Tue, 09 Apr 2013 12:14:26 -0600

comatose-joyy:

screworiginality:

The Three Of Us - Streetlight Manifesto

I’m so excited for their new album.

wherewevebeento: farewell-kingdom: Bottled History by...

Tue, 09 Apr 2013 12:14:10 -0600

wherewevebeento:

farewell-kingdom:

Bottled History by Commoner

“Ray Gascoigne has spent a lifetime at sea as a shipwright and sea merchant. His memories and love for ships are made physical through miniatures he constructs with extreme care within old whisky bottles. Over the past 60 years he has built hundreds of replicas of ships from the past and present of maritime legend. Many were built at sea, in the lonely cabin hours of night, and Ray (now 85) continues his craft on land today” (watch video).

My favourite magasine

andrewharlow: Science and Human Values, J. Bronowski©1965 /...

Tue, 09 Apr 2013 12:08:58 -0600

andrewharlow:

Science and Human Values, J. Bronowski
©1965 / Design: William Naegels

via Julian Montague

Ferrous on Flickr.

Mon, 11 Feb 2013 18:26:07 -0700

Ferrous on Flickr.

Caught in the branches on Flickr.

Thu, 07 Feb 2013 20:36:29 -0700

Caught in the branches on Flickr.

Bright and Clear on Flickr.All the means of action - the...

Thu, 07 Feb 2013 20:34:45 -0700

Bright and Clear on Flickr.

All the means of action - the shapeless masses - the materials - lie everywhere about us. What we need is the celestial fire to change the flint into the transparent crystal, bright and clear. That fire is genius // Henry Longfellow

Andrea on Flickr.Hair full of sticks and feet full of fire ants

Sun, 03 Feb 2013 17:44:11 -0700

Andrea on Flickr.

Hair full of sticks and feet full of fire ants

Caught in the lace on Flickr.Caught in the Lace and Light //...

Sun, 03 Feb 2013 15:34:04 -0700

Caught in the lace on Flickr.

Caught in the Lace and Light // Taken in the abandoned St. John’s Seminary in San Antonio, Texas

You become what you think about all day long // Emerson (at...

Sun, 03 Feb 2013 15:29:52 -0700

You become what you think about all day long // Emerson (at Witte Museum)

theeyecollects: “Hong Kong, August 19, 2009—Widely recognized...

Thu, 20 Dec 2012 21:49:02 -0700

theeyecollects:

“Hong Kong, August 19, 2009—Widely recognized as Japan’s most celebrated contemporary artist, Hiroshi Senju is renowned for his paintings of waterfalls. With incredible delicacy, he pours translucent paint onto paper creating the sensation of unrestrained movement[…] The context for Hiroshi Senju’s art is both the history of international modernist abstraction and Japanese landscape tradition and spiritual philosophy. Senju is one of the few modern masters of the thousand-year-old Nihonga style of painting, which emphasizes traditional Japanese techniques and materials. This method involves creating paints by grinding mineral pigments from stone, shell and corals, using an animal- hide binder, and Japanese mulberry paper mounted on board. While firmly rooted in Japanese tradition, Senju’s works are wholly modern with a clear link to abstract expressionism and action painting. Senju began exploring the waterfall image almost 20 years ago. Evoking a deep sense of calm, his waterfalls conjure not just the appearance of rushing water, but also its sound, smell and feel. Senju explains: “By pouring paint from top to bottom, I have been painting not the illusion of the waterfall, but creating the waterfall itself.” To create his cliff paintings, Senju relies on a similar method of spontaneously pouring mineral pigments onto paper. Th e subtle creases and wrinkles of the paper’s surface inspire the composition of the landscape. Senju then carefully applies dark pigments upon a platinum-colored background allowing delicate rivulets of paint to move across the surface. What emerges are ethereal, intricately rendered works that glisten in daylight.”